Overview

Mathias Bengtsson is one of the most innovative artists today working with digital technologies to push the boundaries of art and design. For the past twenty years Mathias Bengtsson has been working with the organic form and there is something truly ambitious and audacious in his efforts to breach the barriers between nature and human artifice. 

 

Working with diverse industrial materials and processes, Mathias Bengtsson pushes forward the sculptural, technical, and philosophical possibilities of three-dimensional design, blending new and old technologies into a revolutionary organic form. Creating forms that are analogous to Nature (and no longer an imitation) by using Nature’s own secrets and laws of growth is a Promethean enterprise, and his latest ‘Membrane and ‘Growth’ works are masterfully illustrating the thinning boundary between the natural and the artificial.

 
Works
  • Paper Chair
    Paper Chair
  • Slice Chair
    Slice Chair
  • Spun Chair
    Spun Chair
  • Spun Chair Longue
    Spun Chair Longue
  • Spun Table
    Spun Table
  • Growth Table. Drawing
    Growth Table. Drawing
  • Growth Chair. Drawing
    Growth Chair. Drawing
  • Cellular Chair. Silver
    Cellular Chair. Silver
  • Cellular Chair. Epoxy
    Cellular Chair. Epoxy
  • Slice Ply Sofa
    Slice Ply Sofa
  • Growth Chair. Drawing
    Growth Chair. Drawing
  • Growth Chair. Bronze
    Growth Chair. Bronze
  • Cellular Chair. Bronze
    Cellular Chair. Bronze
  • Large Growth Table. Bronze
    Large Growth Table. Bronze
  • Growth Table. Walnut
    Growth Table. Walnut
  • Growth Chaise Longue
    Growth Chaise Longue
  • Growth Table. Titanium
    Growth Table. Titanium
  • Growth Chair. Drawing I
    Growth Chair. Drawing I
  • Growth Chair. Drawing II
    Growth Chair. Drawing II
  • One Landscape
    One Landscape
  • Growth Table. Maple
    Growth Table. Maple
  • Slice Chair. Brass
    Slice Chair. Brass
  • Membrane Table
    Membrane Table
  • Growth Stools
    Growth Stools
Biography

With the Growth Chaise longue as well as his other organic pieces such as the Growth table or Cellular Chair, Mathias Bengtsson questions the borders between the natural and the artificial while breaking down the established boundaries between design, art, craft and technology. Always seeking to take his thinking in new directions, Mathias Bengtsson’s sculptural design pieces are both visually striking and technically innovative. Working with diverse industrial materials and processes, he pushes forward the sculptural, technical, and philosophical possibilities of three-dimensional design.

Mathias Bengtsson’s artistic impact on the design field has not passed by unnoticed. Curators of art museums on both sides of the Atlantic have been showing his works extensively both in fine art and design contexts such as in the Victoria & Albert Museum, London; Design Museum, London; Centre Pompidou, Paris and the Rohsska Museum in Göteborg. Moreover his pieces have been acquired by a number of significant museums such as the MOMA, New York; the Centre Pompidou, Paris; The Contemporary Arts Museum, Houston; The Manchester Art Galleries, England; Indianapolis Museum of Art; Carnegie Museum of Art, Pittsburgh; Milwaukee Art Museum, USA; Smithsonian Cooper Hewitt Museum, New York; and Designmuseum Danmark.

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