Mare Tranquilitatis is one of Danish designer Astrid Krogh’s latest works from 2012. The title of this optic fiber wall piece refers to a lunar mare that is situated within the Tranquilitatis basin on the Moon.
Very slowly and hardly perceptible, the work is changing into different hues of yellow, orange and white, creating a poetic impression of cosmic, organic form.

Astrid Krogh succeeds in giving light a soft and tactile quality, proposing a highly original and poetic vocabulary based on contemplative perception and sensual color experience. She embraces traditional craft techniques while using high tech materials, and as she states it herself: “I like to work with high-tech materials in a low-tech way. “

Astrid Krogh is widely considered as one of the most pioneering Scandinavian designers in the field of neon- and optic fiber installations, starting by the end of the 1990s with monumental light weavings for important museum exhibitions and site-specific commissions such as the Maersk building, the Danish Parliament and the 21 C Museum in Cincinnati.

Her works are published in several important books about contemporary textiles, architecture and design and the designer has won several design prizes including The Danish Art Foundation en 2006, 2009 et 2011 et the Thorval Bindesboell Medal in 2008.

  • Mare Tranquilitatis
    2012
    Optic fibers and aluminium
    Ca 140 x 160 x 32 cm
    Limited edition of 8 unique pieces
    (+ 2 prototypes + 2 A.P)

  • Mare Tranquilitatis
    2012
    Optic fibers and aluminium
    Ca 140 x 160 x 32 cm
    Limited edition of 8 unique pieces
    (+ 2 prototypes + 2 A.P)

  • Mare Tranquilitatis
    2012
    Optic fibers and aluminium
    Ca 140 x 160 x 32 cm
    Limited edition of 8 unique pieces
    (+ 2 prototypes + 2 A.P)

  • Mare Tranquilitatis

  • Astrid Krogh is working at the intersection between art, architecture and design. Born in Denmark in 1968, Krogh graduated from the textile faculty at The Danish Design School in 1997 and established her own studio the following year, where she started using optical fibers to create woven textiles, thereby weaving with light itself. Krogh’s point of departure from conventional textile design was not merely her fascination with light but also her at traction to shape-morphing objects and shifting colorways, “I use light as both a material and a technology”, Krogh explains. Few artists speak a refined language as fluently as Astrid Krogh, who uses light to describe aspects of Nature that words simply cannot. Her vocabulary is nuanced by sensory experiences, which are articulated through a lexicon of color and light. Astrid Krogh’s works are included in important museum collections, such as the Designmuseum Danmark and the 21C Museum International Contemporary Art Foundation, USA. She has carried out monumental light installations and site-specific commissions for private and public collections, such as the 21C Museum International Contemporary Art Foundation, Cincinnati, USA; Longchamp Flagship store, Paris, France; Danish University Center, Beijing, China; Maersk building, Copenhagen, Denmark; and Danish Parliament, Copenhagen, Denmark. Krogh’s works are published in important books about contemporary textiles, architecture and design and the artist has won several prizes, including the Thorvald Bindesboell Medal, the Inga & Ejvind Kold Christensen Prize, the Annual Honorary Grant of the National Bank of Denmark, the Finn Juhl Architecture Prize and the CODA Award. 

    Artist’s Resume

     

    Ask informations about this artwork

    Your name (required)

    Your email (required)

    Artwork

    Something else?